Charles Bargue
In the following plates Bargue demonstrates how an accurate understanding of an object’s outer “shape container” can play a pivotal role in guiding the rendering of an objects inner three-dimensional planar structure. In each case the initial drawing is a straight-line-inspection that assess angles and proportion. The lines are there not as an outline but as a guide to find the shape that contains each object. The finished drawing sees the guide of the container melt away into a more naturalistic shape while the inner form becomes highly three-dimensional (note the restricted use of 3 or 4 tones of value to achieve this). Most people dive into shading before understanding the basic shape container of the form they are drawing. The important thing to note is the restricted use of value in the finished drawing and the restricted use of straight lines in the initial drawing. It is the restriction that gives each drawing it’s sculptural solidity.
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