Painting Gold
The takeaway is to create the illusion of gold, something that appears very bright and shiny, a painter should actually focus mostly on darker neutral tones tightly huddled together and then jump about there values up for the highlight. But even then the highlights in these two examples max out on the Munsell scale at around 6 for the darker gold at the top of this post, or an 8 for the lighter gold on the second mockup. Here are but a couple additional images from their original post. Visit their blog for more.
Rembrandt / René Antoine Houasse
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