Patterned Places
Camara Municipal, Funchal, Madeira, Portugal
In the lively city centre, this historic building undeniably marks the urban landscape. It was built in 1758 to serve as the residence of the Count of Carvalhal. Subsequently, it passed through various owners and tenants, until it was acquired in 1883 by the City Council. It then became the City Hall of Funchal.
Although it has been modified and refurbished over the decades, it has always maintained its characteristics. It is therefore a harmonious example of late 18th-century architecture. These buildings most notably include the interior landscaped courtyard, covered with Battistini tiles, executed in 1940 in the Maria de Portugal Factory, and a fountain decorated with a marble statue of 'Leda and the Swan', signed by Germano José Salles. [source]
Portas da Cidade, Ponta Delgada, Portugal
Rossio Square, Lisbon, Portugal
The rough translation of Rossio means “common land” and the future Rossio Square first became an important place in Lisbon during the 13th and 14th centuries. It was even the setting for public executions in the 16th century. The All-Saints Royal Hospital, completed in 1504, dominated the square until the great 1755 Lisbon earthquake, which destroyed most of the buildings in the area. An effort to rebuild the square began in the second half of the 18th century and gave the square its current form.
In the 19th century, the square was paved with cobblestones in wave patterns to resemble the oceans. This pattern has become uniquely identifiable with Rossio Square and can be seen in many other pavements all over Portugal and the rest of the world. In 1889, two large fountains that depict mythical figures were installed on the square. However, these identical fountains are not the most notable feature of Rossio Square. [source]
Versailles, France
Senado Square, Macau
Terazza Mascagni, Italy
Despite being relatively new for Italian standards, the Terrazza Mascagni is an iconic landmark in Livorno. Originally, the Forte dei Cavalleggeri occupied this space, but it was dismantled in the 19th century. In 1925, the area was transformed into a large square overlooking the sea by engineer Enrico Salvais. The architecture of the famous terrace, dedicated to the composer Pietro Mascagni, who was born here in 1863, is truly unique. The checkerboard flooring covers 8,700 square meters, with over 34,000 black and white tiles, and the balustrade is composed of 4,000 columns that separate the square from the sea. [source]